Eaten Alive: James Herbert’s ‘Rats’ Trilogy
By M.L. Schepps
When 30-year-old ad-man James Herbert set out to write a novel, he had a simple goal in mind: “to show you what it was really like to have your leg chewed by a mutant creature.”
The Rot at the Root: Activism and Agency in ‘Captain Planet’ and ‘FernGully’
By M.L. Schepps
At the break of dawn upon the beach, a thousand representatives of the “Female Planet”—ranging from white-clad Canbomblé, damp in honor of the ocean goddess Yemoja, to realtors from Anchorage—raised mirrors to the pallid sky, seeking to reflect the light of their hope towards the sprawling Riocentro Convention Center…
We Are the Mutants 