By K.E. Roberts
Unlike most library music, Aquarius is a complete work in itself. It’s like a soundtrack to an imaginary film, and Williams uses both traditional and experimental arrangements to tell the story…
A couple of years ago, a canny and intelligent friend referred to the Advanced Dungeons & Dragons setting of the Forgotten Realms as “post-apocalyptic.” I thought for a moment, ready to dismiss the fictional world’s bog-standard fantasy feudalism as nothing of the sort…
By K.E. Roberts
Star Wars and the Cola Wars collided, launching a series of futuristic, high concept TV ads that included all the major players. At the heart of it was one Ridley Scott…
Incredibly, it took only four years for the spectacle to regurgitate the absurdist nightmare future that George Miller had assembled in 1982’s Mad Max 2 as that most inane and transitory of commodities: a children’s board game…
First released in 1978 by Archon, a publisher based in London’s Soho district, UFOs gains some added legitimacy from the fact that it was written by Brit Bob Rickard, who in 1973 founded what would eventually become the Fortean Times, a monthly magazine devoted to…
The suggestive commonalities of these disparate MUFON presenters does seem to buttress the now-common view that the entire world of postwar American ufology was a giant blind alley meant to distract from and obfuscate top secret U.S. military programs…
By K.E. Roberts
There’s a lot going on here, but let’s start at the beginning: did Voyager I and II really collect sounds from the outer planets and their moons as they passed by? Yes, in a way. Each of the probes was equipped with something called a Plasma Wave Subsystem…
By The Mutants
Think about the list strategically. It’s for the rest of your life! What will you watch when you’re sad? When you’re high? When the holidays roll around? When you’ve got the flu? When you need to believe that goodness prevails?
By The Mutants
A few months ago my dad sent me a whole bunch of pictures on a flash drive. This was one of them. It’s my bedroom in 1987. I’m 15…
By The Mutants
The image is important because it captures something desperately tragic about where we’re at and how we see ourselves…
By The Mutants
How do you describe to someone who hasn’t experienced it before exactly how it felt to walk into the record store before the internet? When music was your life.
Blatantly trying to ride the audience numbers of 1973’s The Exorcist, the same year’s Satan’s School for Girls, and 1976’s The Omen and Carrie, The Possessed is, predictably, imbued with the whole period’s ubiquitous post-Watergate feeling of gloom…
Of all the visionary artists to emerge from the illustration boom of the ’60s and ’70s, Bob Fowke must be one of the most unfairly neglected…
Near the end of Richard Nixon’s first term, the forces of conservatism and reaction were in the ascendancy in America. This public resurgence of “traditional values” was itself a counter-revolution against the turmoil unleashed by the young…
An oral history of the Gateshead Music Collective (or GMC) in the words of the young people who started it, ran it, and frequented it in the 1980s…
We Are the Mutants 