High Times arrived on newsstands in 1974, initially intended to be a single-issue lark by founder Tom Forçade. But the magazine ended up becoming an underground institution, a harbinger of increasingly liberal points of view among the Baby Boomer generation on cannabis consumption and the increasing establishment of a domestic American hemp production market…
As part of this year’s holiday “festivities,” my fellow US-based Mutants have mockingly given me a couple of the toy pages from a 1979 American catalog to look at in the hope of stimulating some idiosyncratic British take on the very different world of US toys, and possibly provoking a bit of retrospective seasonal gift envy. I can almost hear them now, chortling away mirthlessly in their La-Z-Boy recliners in their respective dens, or wherever the fuck it is that North Americans go to chortle. But they won’t break me; I’m made of sterner stuff…
“Unwrapping” the G.I. Joe U.S.S. Flagg aircraft carrier playset that Kelly put under the (virtual) tree for me this Christmas is a bittersweet reminder of childhood desires scuttled. I think, even at age 10, I knew that I’d never receive this giant (seven and a half foot long!) Nimitz-class aircraft carrier that retailed for $110 in 1985 (that’s over $250 in today’s dollars). But, ahem, I did actually end up getting the Cobra Terrordrome for Christmas ’86, which retailed at about half the cost…
So this week we’re each going to talk about a toy from Christmas past that one of the other guys has figuratively “gifted” us. I volunteered Richard to be my secret Santa because I expected a gift so quintessentially representative of the forlorn British ’70s of his youth that I could simply rag on him and his homeland for a few paragraphs…
Despite a tragically short life, and despite still being almost completely unknown, Greg Irons has exerted an extraordinary influence on the course of underground and mainstream comics, graphic design, and the tattoo world, where he is regularly cited as a legend. Irons was born in Philadelphia in 1947 and moved to San Francisco during 1967’s Summer of Love, where he immediately found work designing event posters for music promoter Bill Graham…
Thanks to the record covers he drew for Rudimentary Peni, the band for which he was vocalist and guitarist, artist Nick Blinko’s initial audience was mainly confined to the members of the thriving British anarcho-punk scene of the early 1980s. Despite apparently operating in the same aggressive idiom as their peers, however, it was immediately clear that the Peni were unique…
Back in high school in the early ’90s, I often found myself haunting the aisles of the big record shops in Harvard Square in Cambridge—HMV, Tower Records, and most importantly Newbury Comics—for any and all available rare import CDs from my favorite local bands: Pixies, Throwing Muses, the Breeders…
Whenever I get to thinking about the old New York City, with its cheap book marts and thriving alt-weekly trade, its surplus of less unaffordable apartments, and tolerance (or indifference) to street art that hadn’t been curated or vetted to death—in short, the turnstile-jumping bridge-and-tunnel life that began disappearing long before 9/11—I think about Mark Beyer…
In pondering an exhibit to do for Thanksgiving week, I thought it might be interesting to check out what the Macy’s Thanksgiving Day parade looked like the year I was born: 1975…
A collision of imperial phase-Young Artists—the London-based illustration agency whose imagery would dominate and define British science fiction and fantasy art throughout the 1970s and ’80s—and an attention to graphic design detail that bordered on the unhinged, Tour of the Universe was a bold attempt to create an immersive world of science fiction art and prose that still looks as wildly ambitious today…
He was a working-class loner, with roots in the social realist British New Wave of the late 1950s and early 1960s—plays, novels, and films associated with the “angry young men” exploring the very class tensions that Wilson’s “New Britain” had ostensibly smoothed over. Callan occupied a violent and grubby world, with one foot in the sinister bureaucracy of a professional intelligence service, and another in the criminal underworld of London…
By K.E. Roberts
A lush selection of library and ambient music—the two often overlap—attempts to evoke the ocean in its many guises, an artistic practice that goes back in the West to the tone poems and symphonic sketches of classical composers from Beethoven to Debussy. After World War II, the orchestrations of what came to be known as exotica, a subset of lounge music, attempted to capture the enchanted South Seas…
Positing a fantasy world where Renaissance and Enlightenment values co-existed with the joys and preoccupations of the coming technological age, the Rondo Veneziano orchestra was the brainchild of Italian record label owner Freddy Naggiar, who noticed the lack of Italian instrumental music on the international scene and charged orchestra director and arranger/composer Gian Piero Reverberi to come up with someone or something to fill the gap…
Earlier this year, while on a YouTube nostalgia tear through NBA highlights from the late ’70s and early ’80s, I made the following observation on Twitter after watching a live performance of Grover Washington, Jr.’s “Let It Flow (For ‘Dr J.’)” set to vintage hoops footage: “The sound of my early childhood is ineluctably a Fender Rhodes electric piano”…
Blade Runner was not an immediate success upon its June 25, 1982 release, a fact that has become part of the film’s lore over the years. It had quite a bit of competition that same summer: Star Trek II: The Wrath of Khan, E.T. the Extraterrestrial, Tron, Poltergeist, and John Carpenter’s The Thing…
