Photon Instructional Video, 1986

In 1984, an entertainment center was opened in the Dallas suburb of Garland that aimed to bring the futuristic imagery and technological thrills of space opera warfare into the real world: it was called Photon, a laser tag game in which two teams fought one another in a bloodless, computer-controlled simulation set in a multi-level arena filled with dry ice and lit by strobe lights…

Adventures in Atari BASIC: Lesson Seven – Music and Mission Briefings

By Mikey Walters

In Lesson Six, we saw how Space Assault’s enemy ships move and attack with a semblance of intelligence, learned how to create an Atari “earthquake,” and generally completed our coverage of the core of the game’s code. Now it’s time to explore the incredible sound capabilities of the Atari home computer, including music and exciting effects…

Continental Airlines Commercial, Circa 1976

Prior to the Airline Deregulation Act of 1978, the fares, routes, schedules, and establishment of commercial airliners were controlled by the federal Civil Aeronautics Board (CAB). While regulation meant smaller profits for the airliners, it also meant guaranteed profits: the result amounted to a monopoly that was “too big to fail.” The supposed “golden age” of air travel, as depicted in the commercial above, was actually the result of so many half-empty planes in the sky…

Fiat “Handbuilt by Robots” Commercial, 1978

In the post-Star Wars era of 1978, robots—or “‘droids”—had ceased to be the ambiguous, threatening machines of yore. Now, they were cheerful helpmates for humanity who labored tirelessly (and free of cost) for the benefit of all. In a world suddenly obsessed with futuristic technologies, their appearance in an advertisement was sure to be noticed—especially by the younger members of any potential car-buying family…

K-tel Music Compilation Commercials, 1970 – 1984

Television advertising in the 1950s took a fairly staid and classic form: the advertising agency would spend 30 to 60 seconds presenting a domestic problem that its client’s product promised to alleviate. But the dawn of the 1960s introduced a more aggressive, hard-sell type of direct advertising, where the product’s manufacturer would sell a product directly to the TV viewer through product demonstrations…

Westminster Typeface, 1964/1965

Together with Bob Newman’s perhaps better known 1970 typeface Data 70, the Westminster typeface represented a significant shift in the intrusion of the digital world into the real one, and still remains a potent and evocative symbol of futurist aspirations and fears…

‘For You’ by Tatsuro Yamashita, 1982

Tatsuro Yamashita is one of the most famous musicians from the City Pop genre, an eclectic blend of rock, funk, jazz, and disco that was omnipresent in 1980s Japan. To me, listening to City Pop evokes feelings of speeding down a Tokyo freeway on a sunny day or dancing in a neon lit disco somewhere in Shibuya…