A couple of years ago I posted an image on Twitter of the Hot Wheels Service Center Sto & Go playset seen above and got to feeling unexpectedly emotional (and more than a bit political) about it…
Sony’s first Betamax VCR was the SL-6200, and it was housed in a teak wood cabinet with a 19″ Trinitron TV. The LV-1901 console, as the package deal was called, was released in Japan in May 1975 and debuted in the US that November. Price: between $2,295 and $2,495. Weight? Really fucking heavy…
The state of play in home coffee brewing in America during the early postwar period offered very little opportunity for a good cup of joe. The electric percolator, long America’s choice for home brewing, would often overheat and burn the coffee, or send foul, bitter-tasting grounds back into the brew…
A strange talisman of British middle- and lower-middle-class aspirations of the 1960s and 1970s, Denbyware—the costly, absurdly heavy, hard-wearing (read, impossible to rid yourself of or destroy) brand of British tableware famed for its dun-colored hues, threatening shapes, and cranial-trauma patterns—was for a time the ne plus ultra of performative provincial socializing…
As Talia Levin noted last year in an Esquire article, “eat the rich” has become a popular expression among a new generation of leftists who have inherited, among many other obscenities, the most extreme income inequality of the last 50 years…
Over the past year of the seemingly interminable 2020 presidential campaign in the United States, the public political history of Senator Bernie Sanders has been fêted and castigated from both sides of the political aisle. An avowed democratic socialist throughout his life and political career, Sanders has taken the side of some very unpopular movements and causes…
By Audrey Fox
The ever-widening division between social classes has always been popular fodder in film and television. It seems as though few films that address class disparity can escape at least some oblique commentary that casts the wealthy elite in a negative light. From the early days of cinema with Erich von Stroheim’s Greed (1924) and Frank Capra’s It’s a Wonderful Life (1946)…
Only in a decade as contradictory as the 1980s would one of America’s most respectable and historic companies spend nearly a million dollars on a commercial depicting new wave “adventurers” in a post-apocalyptic “third millennium” wasteland as part of a last ditch campaign to save its fatally outmatched consumer electronics line…
Earlier HBO idents had been relatively simple affairs, the kind of simply animated and crudely soundtracked bumpers you might see on your local UHF station’s movie revue. But this bumper—known here as “HBO Theater,” although it would eventually be titled “HBO Feature Presentation” when broadcast in 1983—combined live actors, models, motion control cameras, animation, and a full orchestra soundtrack….
A rendering of the future in the form of a short stretch of corrugated steel, this neon tunnel that once greeted visitors to the foyer of 127 John Street in New York City feels innately familiar, even archetypal…
