Bob Peak Promotional Art for ‘Something Wicked This Way Comes’, 1983

Although the extraordinary theatrical poster for Disney’s Something Wicked This Way Comes was illustrated by David Grove, Bob Peak painted these equally impressive pieces that, as far as I know, were never used. Peak, of course, was one of the finest commercial illustrators of the 20th century, and he virtually defined the visual concept of the modern film poster, starting with his colorful montage for 1961’s West Side Story

“You Owe Me Awe”: Culture, Class, and the New South in Thomas Harris’s ‘Red Dragon’

By Michael Grasso

Thomas Harris’s sophomore novel Red Dragon (1981) introduced the world to iconic serial killer and cultured cannibal Dr. Hannibal Lecter, and arguably set the gold standard for all serial killer fiction to follow. But Harris’s novel is more than just a taut true crime thriller that first popularized the archetype of the serial killer profiler. It is also a methodical, deliberate exploration of the class anxieties…

A Future with Nobody Inside: Chrome’s ‘Red Exposure’

By Richard McKenna

Though sometimes dismissed as a disappointing compromise between the two phases of Chrome’s musical output—the delirious, expressionist SF punk cut-ups of Alien Soundtracks (1977) and Half Machine Lip Moves (1979) and the more “traditional” LPs that followed, like Blood on the Moon (1981) and 3rd From the Sun (1982)—Chrome’s fourth LP, 1980’s Red Exposure, could scarcely sound more uncompromising…

“Going At Ghosts With Science”: ‘Into the Unknown: The Fantastic Life of Nigel Kneale’

By Michael Grasso

Legend of 20th century science fiction Nigel Kneale (1922-2006) would likely bristle to be described as such. Andy Murray’s terrific biography, Into the Unknown: The Fantastic Life of Nigel Kneale, readily conveys Kneale’s sometime ambivalence at being pigeonholed as a genre writer. But the full parade of Kneale’s fascinating life gives perspective to the inseparability of the mundane and the fantastic…