By Sam Moore
What’s prescient about Weird Fucks is how everything both is and isn’t a matter of life and death; violence is an undercurrent, and every breakup may or may not be the end of the world…
By Sam Moore
The cinematic vampire is a fragile thing, not only for its many vulnerabilities—sunlight, crosses, garlic—but for the ways in which it can be rendered hollow, a construction…
By Sam Moore
One of the first, most potent images in Wakefield Poole’s groundbreaking 1971 adult film Boys in the Sand is that of Casey Donovan emerging from the waves before making his way onto the beach. The image feels like a queering of a common cultural touchstone…
By Sam Moore
It’s easy to spot an exploitation film by the cover of the poster or DVD. Maybe more so than any other type of art, you can judge it by its cover: a woman, often barely dressed, holding some kind of weapon. Think Pam Grier on the cover of Coffy or Foxy Brown…
We Are the Mutants 