Knocking Over Idols: Gods and Women in ‘The Magus’ and ‘Black Silk’
Fowles wants to destroy master narratives, but he’s too fascinated with mastery to do it…
Does The Dog Die?: A Not-At-All Comprehensive Guide to Stephen King’s Canines
By J.E. Anckorn
In 1999, Stephen King was struck by a van as he took a walk to the store to buy candy bars. The van’s driver claimed to have been distracted by his Rottweiler Bullet’s attempts to steal meat from a cooler, swerving into King and throwing him fourteen feet into the woods…
“Stoned at Shadow Lake”: The Journals of Heron Stone, 1977
Shrunk now to an almost infinitesimally small dot in the rear-view mirror, 1977 continues to cast a strange shadow over our times. Perhaps one of what my colleague Mike has adroitly termed “hinge years”—those points when incipient forces in the psychosphere coalesce and react with one another, causing reality to shift direction…
“You’re Not Gonna Like This”: The Manson Family Conspiracy in Tom O’Neill’s ‘Chaos’
O’Neill’s account of his two decades in a wilderness of conspiracies related to the Manson Family ultimately suggests some of the blame falls at the feet of a Cold War American intelligence/law enforcement/academic complex deeply compromised by its commitment to beating the Soviets at all costs…
“Don’t Trust Civilization”: ‘Soldier of Fortune’ Magazine and the Masculine Myth
More than perhaps any other example from the time, Soldier of Fortune is symptomatic of a white masculinity crisis that has poisoned the bloodstream of America—a wound untreated leads to sepsis—for almost 50 years…
Snoopy Meets Sorcery: The ‘Occult Datebook’, 1971
Perhaps taking its lead from Troubador Press’s 1969 Zodiac Coloring Book—and coming out the same year as Troubador’s Occult Coloring Book—the Occult Datebook‘s beautifully vivid images perfectly epitomize the occult’s shift into the mainstream…
Devil in the Details: ‘The Occult Coloring Book’, 1971
San Francisco’s Troubador Press, under the direction of founder and owner Malcolm Whyte, published a long line of innovative (and beloved, to many) coloring books from 1967 through the early ’80s. Often contracting illustrators with ties to the counterculture and underground comix, Whyte chose subjects that were sometimes anodyne—horses, ballet, wildlife, the Bible, dinosaurs—but often daring for the time…
The Varieties of Psychonautic Experience: Erik Davis’s ‘High Weirdness’
In the spirit of High Weirdness, this review will try to weave an impressionistic, magical spell exploring the commonalities Davis unveils between the respective life’s work and esoteric, drug-aided explorations of Terence McKenna, Robert Anton Wilson, and Philip K. Dick…
Judging Dredd: A Brit and a Yank Discuss the Legendary ‘2000 AD’ Strip
I still think it’s the ambiguity that makes Dredd electric, though—the friction between this nightmarish prison-city policed by walking lawbooks and the fact that who the drokk wouldn’t want to see some trigger-happy lowlife get Lawgivered in the face?
From Bruce Banner to Star Brand: Marvel’s Militant Nuclear Mutations
By Evan Henry
When the “Marvel Age of comics” dawned in the early 1960s, the era of the Cuban Missile Crisis and Tsar Bomba, many of the new slew of superheroes embodied a politicized mutagenic anxiety surrounding the very real possibility of nuclear conflict. Throughout the decade, Lee, Kirby, Ditko, Heck, and others illustrated a bewildering array of physical monstrosities and curiosities…
