I’m sure many members of Generation X have taken a moment to look around the pop culture landscape over the past decade and a half and had a sudden moment of realization: there are certainly a whole lot of people trying to sell me things using the media of my youth…
Le Guin was always ambivalent about revolution, and especially about revolutionary violence…
By M.L. Schepps
When 30-year-old ad-man James Herbert set out to write a novel, he had a simple goal in mind: “to show you what it was really like to have your leg chewed by a mutant creature.”
Using as its inspiration English Heritage, who preserve the very bones and sinews of English feudal hierarchy in the form of the nation’s stately homes and historical sites, Sharp’s English Heretic project seeks to détourne these edifices of authority…
Tom Brokaw popularized the term “The Greatest Generation” in 1998 to describe the Americans—and especially the American men—who survived the Depression and fought against Nazism in World War II. Brokaw saw this cohort in valedictory, heroic terms…
Visualizing a better world has never been more important, or more difficult. The promise of utopia—or at least a world that places its values on health, happiness, and lovingkindness—has been an object of pursuit for philosophers, theologians, and regular folks since the dawn of human civilization…
By Eve Tushnet
Assign teenagers to different socioeconomic classes and require the lower classes to perform humiliating rituals of obeisance to the upper. Give other students the power to enforce class boundaries and punish those who get ideas above their station…
It’s practically impossible to imagine popular music in the year 2020 without taking into account the central role digital sampling now plays in making beats and reshaping melodies…
Gwyneth Jones’s new critical biography of Joanna Russ for the Modern Masters of Science Fiction series (called simply Joanna Russ) seems less like an academic reconsideration than a continuation of its subject’s oeuvre…
Marvel Comics’ The ‘Nam, DC’s G.I. Combat and Weird War Tales, and Charlton’s Battlefield Action eschewed “feel good” war stories in order to focus on the far-reaching consequences of physical violence, the shifty political motives of the Cold War, and the universal philosophies that define military service…
