Most editions of Vidas Ilustres dealt purely with the biographical details of the person in question, but in the Obras Inmortales (“Immortal Works”) series the comic would dramatize not only their life but also a piece of their oeuvre. This was the case with “El Hombre Que Se Convirtirio En Un Insecto”—“The Man Who Became an Insect.”
In 1985, the first issue of an unusual new title hit the shelves of North American comic book stores. Part of Marvel Comics’ short-lived creator-owned imprint Epic, Rick Veitch’s The One stood out because its cover was an obvious visual reference to the yellow and orange concentric circles of Tide laundry detergent’s branding…
How a Baby Is Made was the English language translation of Danish psychotherapist and “sexologist” Per Holm Knudsen’s children’s picture book Sådan får man et barn, published in Denmark in 1971. After winning the Danish Ministry of Culture’s children book prize in 1972, the rights were acquired in Britain where Piccolo Books, the children’s division of paperback publisher Pan, published it the following year…
Over the course of my many explorations of British hauntology of the 1970s over the past five years, I found myself enjoying a pair of television adaptations, produced a decade apart, full of deep mystical themes reaching back into the marrow of ancient Britain…
By Ben Schwartz
The hectic, global nightmare of early 2020 seems like a good time to reappraise our perception of Disney, an increasingly powerful demigod in the media-saturated hellscape we live in. Outlets and organs of multiple disciplines have put out breathless articles about the conglomerate’s “unprecedented” success last year…
By K.E. Roberts
You’ve seen the images before: interiors of massive cylindrical and spherical space habitats, where posh-looking off-world colonists attend catered cocktail parties and sip coffee on their (seemingly) tilted verandas; where space-suited construction workers navigate through zero-g miles above an immaculate suburbia, complete with backyard swimming pools…
In the spring of 1971, it seemed everyone on the fringes of mainstream society in North America was trying to build geodesic domes: soaring gridwork domes made of plastic and steel, of wood, of concrete. Inspired by technocratic engineer-turned-counterculture guru and geodesic dome evangelist R. Buckminster Fuller, hundreds of back-to-the-land hippies sought to use his elementary architectural example…
The world is a dangerous place, and nowhere is this more true—subjectively speaking—than in its safest, most fortunate corners. I’ve spoken before about how the postwar UK seemed sometimes to be living in a traumatized fugue state of danger and threat. Here, then, is the bible of that particular belief system: the Reader’s Digest’s 1986 What to Do in an Emergency…
By Pepe Tesoro
Thomas Pynchon’s 1966 novel The Crying of Lot 49 is usually regarded as one of the best testimonies of Cold War paranoia and early psychedelic ’60s culture. Even though it is a keen and pointed exploration of the growing anxieties over the exponential post-war rise of mass media and market capitalism, the central conspiracy revealed in the novel doesn’t reproduce itself through the then-new and fascinating forces of radio waves or cathode rays…
Fowles wants to destroy master narratives, but he’s too fascinated with mastery to do it…
