The 1980s saw the gradual ascendancy of cyberpunk narratives in popular science fiction. The genre projected Western societal trends seen in the decade—corporate conglomeration, the rise of computer networking and global media, and the ascendancy of Pacific Rim economies, most prominently Japan—into a vision of the future bursting with high technology controlled by a few neo-feudal corporate interests…
In 1970, Chile began a new experiment in society and economy with the democratic election of Salvador Allende, who would bring about a socialist Chile under his party Unidad Popular, a mixture of socialist, communist, and radical groups. In order to realize his platform, Allende and the UP enacted…
Broadcast television and nuclear fission: two technologies with their origins in the early 20th century study of particle physics, two technologies whose early development was situated in the years before the outbreak of World War II, and two technologies whose global prominence and predominance rose in the years immediately following the war…
In 1957, as the first artificial Earth satellite was launched into an elliptical orbit from the Baikonur Cosmodrome in present-day Kazakhstan, American science was suffering a crisis in self-image. No one in the Federal Government had predicted that the Soviets would claim the gold in the race to low Earth orbit…
High Times arrived on newsstands in 1974, initially intended to be a single-issue lark by founder Tom Forçade. But the magazine ended up becoming an underground institution, a harbinger of increasingly liberal points of view among the Baby Boomer generation on cannabis consumption and the increasing establishment of a domestic American hemp production market…
A collision of imperial phase-Young Artists—the London-based illustration agency whose imagery would dominate and define British science fiction and fantasy art throughout the 1970s and ’80s—and an attention to graphic design detail that bordered on the unhinged, Tour of the Universe was a bold attempt to create an immersive world of science fiction art and prose that still looks as wildly ambitious today…
Earlier this year, while on a YouTube nostalgia tear through NBA highlights from the late ’70s and early ’80s, I made the following observation on Twitter after watching a live performance of Grover Washington, Jr.’s “Let It Flow (For ‘Dr J.’)” set to vintage hoops footage: “The sound of my early childhood is ineluctably a Fender Rhodes electric piano”…
Blade Runner was not an immediate success upon its June 25, 1982 release, a fact that has become part of the film’s lore over the years. It had quite a bit of competition that same summer: Star Trek II: The Wrath of Khan, E.T. the Extraterrestrial, Tron, Poltergeist, and John Carpenter’s The Thing…
When Heavy Metal published 1979’s stand-alone Alien: The Illustrated Story to coincide with the release of Ridley Scott’s now-canonical sci-fi horror, no one knew what a “graphic novel” was. The adaptation, with frequently gruesome art by Walt Simonson and words by Archie Goodwin, was strikingly innovative while remaining true to Dan O’Bannon’s screenplay, and it soon landed on the New York Times Best Seller list…
By Richard McKenna and Amy Mugglestone
So, in summary, you should fantasize about boys, but you shouldn’t ask about sex, but you should stop acting in ways that make boys think you want sex. Even though you’re not supposed to know what that is. What the fuck, Jackie? I’m lost.
