In late 1984 I encountered a film that would become, with the benefit of hindsight, the sine qua non experience of my 1980s sci-fi movie-going childhood. No, it wasn’t Dune or The Terminator or Ghostbusters, but a now little-remembered sequel to Stanley Kubrick and Arthur C. Clarke’s immortal cinematic classic 2001: A Space Odyssey…
By Louis Bayman
The five-part miniseries Chernobyl has become the popular television phenomenon of the year, and one of the most critically successful ever. Over thirty years since the explosion at the core of a nuclear reactor in 1986, the production has been praised for its fidelity both to the events around the disaster and to the look and feel of the Soviet 1980s. This has in turn prompted a backlash…
I’m not going to beat around the bush, I’m not going to play humble, I’m not going to worry about the fact that I’ve bored literally everyone who’s ever met me with this, my one true fan-slaying anecdote, an anecdote that will echo down through the ages like the Iliad or the Mabinogion—no, I’m just going to come out and tell it: I watched The Amazing Spider-Man with Gary Kurtz…
By Leila Kozma
Just like the populist politicians of our time, Mr. Freedom becomes intoxicated with his own ego, weaponizing his boyish charm and rhetorical skills to persuade citizens to back all the wrong causes…
When our esteemed editor-in-chief recommended we look this week at the little-heralded-nor-remembered Endangered Species from 1982, I was cautiously optimistic. A B-movie starring Robert Urich, JoBeth Williams, Paul Dooley, and Hoyt Axton about cattle mutilations, shot on location in Colorado and Wyoming?
While religious iconography pervades the entire oeuvre of film director Andrzej Żuławski, three feature films that he made in Poland depict and indirectly explore the intersection of religious images and social institutions of the Eastern Bloc…
Throughout the latter half of the 1970s, ex-seminarian/political activist Godfrey Reggio and cinematographer Ron Fricke shot, assembled, and edited film footage from all over the United States—from the yawning chasms of southwestern American deserts to the teeming mechanized metropolises of New York and Los Angeles…
By Audrey Fox
Zombies have long stood as a cipher for a variety of fears that range from the AIDS crisis to environmental disasters to governmental malfeasance to the breakdown of the nuclear family. But the decision to focus on the post-apocalyptic element of these films, where humanity has been massively culled and civilization has ceased to function on a large scale, is particularly salient in a world that seems now more than ever on the brink of disaster…
Colonialism is often framed as an encounter with the other. The colonizer journeys abroad and finds a different world, different people, and difference itself. Yet, that difference often has a very familiar look. No matter where they travel, it sometimes seems, colonialists discover no one but themselves…
By The Mutants
Steve Barron may not be a household name, but if you grew up watching MTV in the 1980s, you definitely know his work. Creator of some of the most iconic and memorable images of the music video network’s first five years, Barron was one of the early innovators who turned music video into a real art form…
We Are the Mutants 