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Author Archives: Michael Grasso

‘Pops In Space’ by John Williams and the Boston Pops, 1980

John Williams cut his teeth as a composer for B-movies and TV series in the 1950s; his creative partnerships with Steven Spielberg and George Lucas in the 1970s, beginning with Jaws (1975), catapulted him into super-stardom…

September 20, 2016 in Music & Sound.

The Eye, The Pyramid, The Map: The Psychogeography of ‘The World According to Ubi’

By Michael Grasso

As a child, I spent a lot of time in the manageable, organized worlds that board games offered. Rules, a sense of order and fair play, and brightly-colored game pieces and boards appealed to me: they were a safe haven from the uncertainty of the outside world…

September 8, 2016 in Sports, Games & Toys.

Flying Saucers, Common Sense, and the Enigma of Cedric Allingham

By Michael Grasso

I’ve only recently, at the beginning of my fifth decade of life, begun exploring the richness of 1950s ufology. As a child of the 1970s, my formative UFO matrix exists at the nexus of the uncanny/horrifying child-Greys toddling down the gangplank of the mothership in Close Encounters of the Third Kind (1977)…

August 30, 2016 in Occult & Paranormal.

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