Assimilate and Manipulate: Industrial Music and Cyberpunk in the Comic Series ‘Shatter’
In the almost-two decades between Blade Runner (1982) and The Matrix (1999), a particular form of cyberpunk existed across various medias. It was an era in which William Gibson and Bruce Sterling novels reigned supreme, Max Headroom was on the air in America, while the Bubblegum Crisis anime was being produced in Japan…
We Are the Mutants 