The BBC Handbook was published annually beginning in 1928 to inform the British public about the work being done by its national broadcaster. Under one cover and written in a straightforward prose style, a reader could find the Beeb’s technical broadcasting details (including the exciting new vistas opened up by Telstar and other communications satellites)…
By the early 1980s, the creation of a fourth British television channel had become a moot issue. In 1955, the license-fee-funded BBC1 had been joined by the commercial Independent Television network (ITV), legally identified as Channel 3, and in 1964, these two were joined by BBC2, the first European television channel to broadcast regularly in color…
Christopher Cross was faced with a tall order in trying to follow up his colossal hit debut LP, Christopher Cross (1979). The album spawned four Top 20 singles and dominated the 23rd Annual Grammys, and Cross hit again in the fall of 1981 with “Arthur’s Theme (Best That You Can Do),” from the Arthur soundtrack…
As the grimmer social realities of the 1980s began to take hold, more abstract aspirations began to fuel the collective imagination, and the airbrush—a device originally invented in the second half of the 19th century—proved to be an effective tool for creating dreamlike imagery that combined the smooth realism of the photograph with the artifice of the painting while eliminating the potential dissonances of both…
Before digital effects, directors depended exclusively on visual effects artists, and matte painters in particular, to convey the epic scope and grandeur of defining shots and scenes. Matthew Yuricich (1923-2012) was one of the greats…
Look at that living room, so similar to many of the ones I grew up around and yet so much less pokey, so much more relaxed. Those cars, those bizarre technologies we were constantly struggling to understand in cartoons and comics—pull carts, barbecues, six packs—all in the middle of this massive, consequenceless nowhere where it was always warm and never rained. We lived in estates too, but nothing like these huge, smoothly landscaped labyrinths, low to the ground like military installations. Wow, what a place…
Originally published between 1952 and 1958 under the pseudonym Paul French, Isaac Asimov’s Lucky Star series details the exploits of David “Lucky” Starr, a prototypical pulp hero waging prototypical “Us vs. Them” adventures. The books were originally intended as the basis for a children’s television series, a sort of science-fictional Lone Ranger, but the project was abandoned when a competing network started developing Rocky Jones, Space Ranger (1954)…
Boris Vallejo was at the height of his fame when he took on this commission for Chess King, an American retailer specializing in hip young men’s fashion, in 1986. Vallejo moved to the United States in 1964 from his native Peru to work in commercial art and pulp paperback covers in their ’60s and ’70s heyday, honing his skills painting the rippling thews of barbarian kings and the oiled curves of their female companions…
In 1972, artist Alex Grey began to realize a series of art installations/performances dealing with themes including death, transcendence, and transformation. As recession began to take hold and the Cold War intensified during the first years of the 1980s, Britain and the U.S. elected reactionary, hawkish leaders, fears of imminent nuclear war spread…
Released in 1981, the SDS-V was an electronic drum kit produced by British company Simmons, which was founded in 1978 by Dave Simmons and remained active until 1999. Though retaining a classic layout, the SDS-V’s glossy, hexagonal drums invoked a futuristic, scientific aesthetic that implied a rejection of the sweaty toil previously involved in percussion…
We Are the Mutants 