Waiting for the Flood: ‘Noah’s Castle’ and the Inevitability of Brexit

By Richard McKenna

One of the most irksome things about my drizzly homeland of the United Kingdom is the widespread domestic habit of mistaking the material benefits of industrial and Colonial wealth, post-war socialism, and a happy lack of mass violence—all of which, for a good half century, guaranteed a relatively safe and stable life, good opportunities to better your lot, free healthcare, welfare, and a relatively graft-free state—for something as ineluctable as rain…

Hollywood Alien: Nicolas Roeg’s Definitive ’70s Run

By Jake Pitre

The loss of filmmaker Nicolas Roeg at the age of 90 in November was deeply felt by cinephiles. Roeg was one of the most singular voices in movies for much of the twentieth century, influencing directors as varied as Christopher Nolan and Steven Soderbergh. When considering his legacy, it’s worth highlighting his most accomplished decade: the 1970s…

California Dreams: Our Cyberpunk Future According to ‘Wild Palms’

By Michael Grasso

The 1980s saw the gradual ascendancy of cyberpunk narratives in popular science fiction. The genre projected Western societal trends seen in the decade—corporate conglomeration, the rise of computer networking and global media, and the ascendancy of Pacific Rim economies, most prominently Japan—into a vision of the future bursting with high technology controlled by a few neo-feudal corporate interests…

“No More Little White Gloves”: Sarah Kernochan’s ‘All I Wanna Do’

By Melissa Baumgart

Resistance to Trump has been led by women in various forms: protesting, volunteering, donating, contacting elected officials, and becoming elected officials. As I’ve observed and participated in these activities, I’ve frequently wished that more people had the opportunity to appreciate All I Wanna Do, a 1998 film that subverts ‘80s sex comedy tropes through a distinctly female lens…