By The Mutants
So read on to discover the songs that, despite having no actual connection to the 31st of October, yet produce a frisson of seasonal alarm in the paranormally persecuted inhabitants of mutant mansions…
Under the stewardship of underground filmmaker and curator Craig Baldwin, Other Cinema stands as the vanguard of Baldwin’s personal artistic conviction—what he calls “cinema povera”…
All of the characters in Paul Schrader’s Light of Day (1987) are looking for a way out. They’re stuck in menial nine to five jobs, on the line in factories and behind candy-colored checkout stands in supermarkets…
Having grown up in the 1970s, an era when record shops were a fixture in communities and often served as neighborhood social centers, I became obsessed with a small store located on 146th and Broadway…
American cinema of the 1970s has long been recognized for its downbeat, character-led crime dramas. From Alan J. Pakula’s Klute (1971) to Arthur Penn’s Night Moves (1975) and Ulu Grosbard’s Straight Time (1978)…
1984’s This is Spinal Tap is all about the pining—epic pining, as high and fulsome as the band’s hair and the wailing notes they (try to) hit…
In the summer of 1970, the launch of the humor magazine National Lampoon was not going well…
The subversive paradox created when Max Headroom turned pitchman for corporate cola is just one of many in the career of Rocky Morton and Annabel Jankel…
From the opening years of the 1950s, various terrestrials came forward claiming to be in contact with the occupants of flying saucers. Their stories were often quite similar…
By Eve Tushnet
I first heard about the X-Ray Spex from a Riot Grrrl flier handed out at punk concerts in the mid-’90s. Their one album, Germfree Adolescents, was on a list of woman-led punk music…
We Are the Mutants 