This issue of the Boston edition of TV Guide, released the week before Christmas 1987, presents a bunch of ads for Christmas television and Christmas gift ideas. Taken as a whole, the ads provide a window into Christmas traditions old and new at the end of the decade…
The vogue for illustrated mini-encyclopedias of world knowledge came into its own in the postwar period in the West. The spirit of New Frontier, space-age optimism led traditionally non-educational publishers into the educational field, usually by producing striking, lavishly-illustrated, glossy full-color gazetteers on particular areas of knowledge…
I first heard The Hurting in 1986. A girl in my high school—a girl I had a big crush on—taped it off her older brother’s LP and let me borrow it (older siblings were like our Spotify). She never got that tape back. I knew of Tears for Fears at the time—everybody did. Songs From the Big Chair had blown up in the US in the summer of 1985…
‘Til Tuesday formed in the early ’80s in Boston, from the same scene that had fostered post-punk legends Mission of Burma. Vocalist/bassist Aimee Mann had been in local punk outfit Young Snakes, and both Mann and ‘Til Tuesday drummer Robert Hausman had attended Boston’s prestigious Berklee College of Music…
The cinematic corpus of David Cronenberg is probably best known for its expertly uncanny use of body horror, but looming almost as large in the writer-director’s various universes is the presence of faceless, all-powerful organizations. Like his rough contemporary Thomas Pynchon and the conspiracies that litter Pynchon’s early works—V. (1963), The Crying of Lot 49 (1966), and Gravity’s Rainbow (1973)—Cronenberg’s shadowy organizations offer fodder for paranoid conspiracy…
Almost as soon as the television entered the American home, forever changing the course of the American family, it became a novel, uncanny presence. With the introduction of telegraphy in the mid-19th century, a new virtual world—an uncanny “otherspace” of instantaneous communication over long distances, utterly new to the human experience—was unleashed…
Political readings or interpretations of horror films are nothing new. But in Mark Steven’s 2017 study, Splatter Capital, an explicit connection is made between the bloody gore of what Steven terms “splatter” horror films and the dehumanizing, mutilative forces of global capitalism…
Ronnie James Dio broke out in a big way in the spring of 1983 with the release of his solo debut LP, Holy Diver. Formerly the lead singer for heavy rock/metal pioneers Elf, Rainbow (Ritchie Blackmore’s followup project to Deep Purple), and Black Sabbath (joining the band after it parted ways with Ozzy Osbourne), Dio brought to his new eponymous project over a decade of experience as a foundational heavy metal vocalist and lyricist…
Thirty-seven years ago this month, the 13-part television series Cosmos: A Personal Voyage, hosted by Cornell University planetary scientist Carl Sagan, began airing weekly on PBS. While I was likely a little too young to have watched that premiere broadcast, I definitely remember watching the entire uncut series during one of its many rebroadcasts in the early 1980s…
With the first Earth Day in 1970, ecology and environmental protection entered the public consciousness in a way not seen since the 1962 release of biologist Rachel Carson’s investigation into the effects of DDT, Silent Spring. Earth Day tapped the nascent environmental movement among scientists and conservationists and gave it a public face…
We Are the Mutants 