Though positing itself as an architectural practice, ONYX—like many of the progressive architectural concerns of the day—was as much a conceptual initiative as it was anything to do with concrete and construction…

The Instant City was an inflatable construction created in Northern Ibiza in 1971 to provide temporary accommodation for students attending the three-day 7th Congress of ICSID (International Council of Societies of Industrial Design). A series of brightly-colored, interconnected environments that housed up to 350 people at any one time…

Released respectively in 1976 and 1980, these The Lord of the Rings and The Hobbit posters were sold in Athena, the British chain of art retail shops whose best-sellers—including Tennis Girl, also released in 1976, and Syd Brak’s 1982 Long Distance Kiss—were ubiquitous signifiers of the evolving aesthetic and sociological landscape in Britain…

In the tradition of the Photorealism and Hyperrealism movements that had evolved as offshoots of Pop Art, the paintings of musician, songwriter, and figurative painter Paul Roberts exist in the liminal space between perceived glamor and kitsch, taking their cues from the archetypes of genre fiction and the heightened realities of cinema and photography…

From the early ’70s through the early ’90s, Canadian artist and activist Carl Chaplin produced and exhibited a series of paintings depicting the atomic destruction of major cities from around the world “to point out the horror of what would happen to all of mankind in a nuclear war.” The series was called Art Nuko, and it became quite controversial…

Despite a tragically short life, and despite still being almost completely unknown, Greg Irons has exerted an extraordinary influence on the course of underground and mainstream comics, graphic design, and the tattoo world, where he is regularly cited as a legend. Irons was born in Philadelphia in 1947 and moved to San Francisco during 1967’s Summer of Love, where he immediately found work designing event posters for music promoter Bill Graham…

Thanks to the record covers he drew for Rudimentary Peni, the band for which he was vocalist and guitarist, artist Nick Blinko’s initial audience was mainly confined to the members of the thriving British anarcho-punk scene of the early 1980s. Despite apparently operating in the same aggressive idiom as their peers, however, it was immediately clear that the Peni were unique…