In the 1980s, everyone from World Heavyweight Champion Rocky Balboa to private investigators living on houseboats had a robot sidekick hanging around. The journey to this imaginary future-present seen on movie and TV screens—full of friendly, helpful household robots and artificial intelligences—reaches back through the utopian aspirations of postwar cyberneticians…
The BBC Handbook was published annually beginning in 1928 to inform the British public about the work being done by its national broadcaster. Under one cover and written in a straightforward prose style, a reader could find the Beeb’s technical broadcasting details (including the exciting new vistas opened up by Telstar and other communications satellites)…
By the early 1980s, the creation of a fourth British television channel had become a moot issue. In 1955, the license-fee-funded BBC1 had been joined by the commercial Independent Television network (ITV), legally identified as Channel 3, and in 1964, these two were joined by BBC2, the first European television channel to broadcast regularly in color…
Before digital effects, directors depended exclusively on visual effects artists, and matte painters in particular, to convey the epic scope and grandeur of defining shots and scenes. Matthew Yuricich (1923-2012) was one of the greats…
The thunderous strains and spinning lozenges of this ITC ident preceded all kinds of disparate television programs from the 1960s to the early ’80s—from the surreal spy tales of The Prisoner, to the pre-Star Wars sci-fi of Space: 1999, to the beloved The Muppet Show. They were all distributed internationally by Incorporated Television Company (ITC), or ITC Entertainment, as the company was known in the States…
Escape from New York was John Carpenter’s most ambitious and biggest-budget film to date, and his first choices to handle visual effects were Jim Danforth (7 Faces of Dr. Lao) and John Dykstra, the latter the talk of the special effects world for his Academy Award-winning work on Star Wars…
For people of a certain age, the synthesized tones of the ident above and the animation of the “P-head” logo of the Public Broadcasting Service is indelibly marked in our memories of childhood. We can recall the educational programming that PBS brought into our homes: stalwart institutions like Sesame Street and Mr. Rogers’ Neighborhood…
By Brother Bill
Anguish (1986) is an obscure and overlooked horror film from Spanish director Bigas Luna, a name perhaps better known for weird and erotic art-house dramas. Zelda Rubinstein (Poltergeist and Poltergeist II) stars as the overbearing mother of adult son John (Michael Lerner, Barton Fink) who still lives at home and under her thumb. Mother has a psychic connection with her slavish son and can communicate with him over long distances, a power she will use to direct him as her instrument of revenge…
This two-minute television spot from 1985 promoted the Time-Life book series The Vietnam Experience, which was released serially from 1981 to 1988, perfectly bookending the Reagan years. Each of the 25 volumes covered subtopics about the Vietnam War from the American perspective, from military tactics to culture clashes…
Maine schoolgirl Samantha Smith sent a momentous letter to Yuri Andropov, then General Secretary of the USSR, in autumn of 1982. She asked the Soviet leader, “Are you going to vote to have a war or not?” and “why [do] you want to conquer the world or at least our country?”
