By Brother Bill
It was in 1988 that two-year-old English band Pop Will Eat Itself (PWEI) began a transition from guitar-driven pop-rock to electronic dance, a direction inspired by a remix of their cover of Sigue Sigue Sputnik’s “Love Missile F1-11”, embellished for the nightclub with dance beats and turntable techniques by producer Robert Gordon of Fon Studio…
By Brother Bill and Mikey Walters
Compute!’s Guide to Adventure Games is one of a series of small, spiral-bound books intended for home computer users and programmers, produced by Compute! magazine, at the time a major reviewer of hardware and software…
By Brother Bill
Anguish (1986) is an obscure and overlooked horror film from Spanish director Bigas Luna, a name perhaps better known for weird and erotic art-house dramas. Zelda Rubinstein (Poltergeist and Poltergeist II) stars as the overbearing mother of adult son John (Michael Lerner, Barton Fink) who still lives at home and under her thumb. Mother has a psychic connection with her slavish son and can communicate with him over long distances, a power she will use to direct him as her instrument of revenge…
By Brother Bill
A wave of dark, violent horror films arrived in the early-to-mid 2000s, all set in the present-day real world and centered on people caught up in deranged systems or subcultures. It seemed as though the lone psycho supermen of earlier decades (Hannibal Lecter, Max Cady, endlessly respawning Freddies, Michaels, and Jasons) were being supplanted…
The impact the original Star Wars had on the pop cultural landscape was so huge that it created ripples reaching to the most unexpected corners…
By Brother Bill
This timeline attempts to chronicle key events from the original Land of the Lost series, which ran for three seasons from 1974-1976. Key events include the introduction of a new character or location, any traveling through time and/or space via time doorways or other paranormal means, events that altered the geography or climate of the Land of the Lost itself…
By Brother Bill
Three hominid creatures, possibly mankind’s evolutionary ancestors, creep through the brush in a primeval forest, drawn by an otherworldly sound. They come upon an obelisk standing in a clearing, its symmetrical perfection defying nature. They are awestruck. They want to touch the smooth surface but are afraid…
We Are the Mutants 