Between 1955 and 1991, Disneyland ran a Tobacco Shop on Main Street U.S.A. A model of the wider American society outside the groomed insularity of the Anaheim theme park, Main Street boasted an assortment of shops that mirrored the small towns that would vanish over the course of the twentieth century…
The funny thing is, I don’t remember exactly where I was when the Challenger disaster happened. I don’t think we watched the launch in school or even heard about it there, because the first time I clearly remember seeing the footage was at my friend’s house after school…
Yes, Star Wars is a children’s movie—and as both of you have pointed out, one that opened the sluice gates for the interminable slick of trash which continues to pollute the cultural waters of the world—but it’s a children’s movie as made by Antonioni: like Red Desert, it’s a study of surface whose intensity makes it profound…
Two of the most famed alien abduction narratives of the Cold War period were explored through first-person accounts in popular books: John C. Fuller’s The Interrupted Journey: Two Lost Hours Aboard a Flying Saucer (1965), about the abduction experience of Betty and Barney Hill, and Raymond E. Fowler’s The Andreasson Affair (1979), about the experiences of Betty Andreasson…
If you grew up in the ’70s or ’80s, chances are you’ll have some movie novelizations hidden in a forgotten corner of your bookcase, or perhaps gathering dust in your parents’ attic. As movie merchandising gained momentum following the success of large franchises like Star Wars, novelizations became almost ubiquitous, and in many cases hugely popular, with some adaptations selling in their millions…
In Lesson Six, we saw how Space Assault’s enemy ships move and attack with a semblance of intelligence, learned how to create an Atari “earthquake,” and generally completed our coverage of the core of the game’s code. Now it’s time to explore the incredible sound capabilities of the Atari home computer, including music and exciting effects…
Despite the dispiriting fug of “classic rock” that hangs about their name—largely thanks to the persistence in popular culture of the song for which they are best known, the wonderful but largely unrepresentative “Don’t Fear the Reaper—Blue Öyster Cult began life as a high-concept countercultural proposition whose aim was to bring an underground literary and musical sensibility, as well as wit, to the dull, self-indulgent ceremonies of rock…
In the 1980s, everyone from World Heavyweight Champion Rocky Balboa to private investigators living on houseboats had a robot sidekick hanging around. The journey to this imaginary future-present seen on movie and TV screens—full of friendly, helpful household robots and artificial intelligences—reaches back through the utopian aspirations of postwar cyberneticians…
In Lesson Five, we learned about Space Assault’s “main loop” and how game events quickly occur in succession to give the appearance of happening simultaneously. We also handled the actions of our human player, such as moving the crosshair via joystick and firing the Fission Gun Tower. Now it’s time to give the Clovis Aliens their due, so let’s code their relentless, earthshaking attack!
In Lesson Four, we experienced a crash course in manipulating Atari computer memory, specifically to initialize and control Player/Missile Graphics, and we learned how to move our players across the playfield. With those powerful techniques under our belt, this lesson is action-packed! Not only will we cover joystick control, but also how to fire the mighty Fission Gun Tower…
We Are the Mutants 