By K.E. Roberts
Rock and roll was maligned as an “unholy pleasure” almost from the get-go, just as dancing was decried as the “Heritage of Hell” centuries before. After John Lennon declared the Beatles “more popular than Jesus” in 1966, Christian fundamentalists immediately condemned all music that “aroused the lower instincts,” and the smear campaign would last for more than a quarter-century…
Almost as soon as the television entered the American home, forever changing the course of the American family, it became a novel, uncanny presence. With the introduction of telegraphy in the mid-19th century, a new virtual world—an uncanny “otherspace” of instantaneous communication over long distances, utterly new to the human experience—was unleashed…
If you have small kids, wear something nondescript, take them out, and let them soak up whatever thrills are left. If you don’t have small kids, stay home and read a motherfucking book. And no, Harry Potter doesn’t count…
By J.E. Anckorn
In 1985, vampire flick Fright Night was released upon an unsuspecting world, with The Lost Boys stalking close on its heels in 1987. Two rightfully revered vampire movies with a curious number of parallels, but who wore the cape better? Which film deserves to reign as dark ruler of be-fanged ’80s nostalgia? Today, we pit them head to head in an attempt to find out…
Ronnie James Dio broke out in a big way in the spring of 1983 with the release of his solo debut LP, Holy Diver. Formerly the lead singer for heavy rock/metal pioneers Elf, Rainbow (Ritchie Blackmore’s followup project to Deep Purple), and Black Sabbath (joining the band after it parted ways with Ozzy Osbourne), Dio brought to his new eponymous project over a decade of experience as a foundational heavy metal vocalist and lyricist…
In Lesson Seven, we learned how to draw Space Assault’s title screen, complete with theme music generated by Atari BASIC’s SOUND statement, and through the course of this series, we’ve covered nearly the complete source code of the game. Appropriately, the last section of code to discuss is the “game over” screen, which uses yet another powerful feature of the Atari Home Computer to combine multiple graphics modes…
Between 1955 and 1991, Disneyland ran a Tobacco Shop on Main Street U.S.A. A model of the wider American society outside the groomed insularity of the Anaheim theme park, Main Street boasted an assortment of shops that mirrored the small towns that would vanish over the course of the twentieth century…
The funny thing is, I don’t remember exactly where I was when the Challenger disaster happened. I don’t think we watched the launch in school or even heard about it there, because the first time I clearly remember seeing the footage was at my friend’s house after school…
Yes, Star Wars is a children’s movie—and as both of you have pointed out, one that opened the sluice gates for the interminable slick of trash which continues to pollute the cultural waters of the world—but it’s a children’s movie as made by Antonioni: like Red Desert, it’s a study of surface whose intensity makes it profound…
Two of the most famed alien abduction narratives of the Cold War period were explored through first-person accounts in popular books: John C. Fuller’s The Interrupted Journey: Two Lost Hours Aboard a Flying Saucer (1965), about the abduction experience of Betty and Barney Hill, and Raymond E. Fowler’s The Andreasson Affair (1979), about the experiences of Betty Andreasson…
