I still think it’s the ambiguity that makes Dredd electric, though—the friction between this nightmarish prison-city policed by walking lawbooks and the fact that who the drokk wouldn’t want to see some trigger-happy lowlife get Lawgivered in the face?
By Richard McKenna and K.E. Roberts
Before we start on this episode’s Progs, let’s talk about, in my mind, the definitive Dredd illustrator—inarguably a definitive comics illustrator—Carlos Ezquerra, who passed away this week at the age of 70…
By Richard McKenna and K.E. Roberts
Surprisingly, Dredd still doesn’t appear on the cover of Prog 3, which contains the second appearance of Judge Dredd. Inside is the episode where they give Mega City One a name and start sketching in more of the details of the world Dredd inhabits…
By Richard McKenna and K.E. Roberts
I guess we should begin at the beginning. I first got into Judge Dredd and 2000 AD in 1983, when Eagle Comics (founded by Nick Landau) started anthologizing the strip for an American audience. The Eagle editions were in color (I had no idea the original 2000 AD was black and white for many years), and the Dredd comics came with new, mind-bending covers by Brian Bolland. I had been collecting comics pretty obsessively for a few years at that point, but had never seen anything like Dredd…
We Are the Mutants 