Getting Bombed: Carl Chaplin’s ‘Art Nuko’

From the early ’70s through the early ’90s, Canadian artist and activist Carl Chaplin produced and exhibited a series of paintings depicting the atomic destruction of major cities from around the world “to point out the horror of what would happen to all of mankind in a nuclear war.” The series was called Art Nuko, and it became quite controversial…

Surviving the Cursed Earth: The Mutants Recap 2018

Gentlemen, this is our third Christmas here at We Are the Mutants. 2018 has been particularly rough on all of us. Our “real” jobs have been punishing, we’ve lost loved ones, we’ve been sick as dogs, our significant others have been sick as dogs, one of my kids was in the hospital (she’s okay!), and Donald Trump is still the motherfucking President. But we’re still here…

Giving at the Office: Palitoy’s Action Man

So this week we’re each going to talk about a toy from Christmas past that one of the other guys has figuratively “gifted” us. I volunteered Richard to be my secret Santa because I expected a gift so quintessentially representative of the forlorn British ’70s of his youth that I could simply rag on him and his homeland for a few paragraphs…

Apocalypse, Rinse, Repeat: The Graphic Experience of Greg Irons’ ‘Light’

Despite a tragically short life, and despite still being almost completely unknown, Greg Irons has exerted an extraordinary influence on the course of underground and mainstream comics, graphic design, and the tattoo world, where he is regularly cited as a legend. Irons was born in Philadelphia in 1947 and moved to San Francisco during 1967’s Summer of Love, where he immediately found work designing event posters for music promoter Bill Graham…

Deep Sea Soundings: Walt Rockman’s ‘Underwater: Vol. 1’

By K.E. Roberts

A lush selection of library and ambient music—the two often overlap—attempts to evoke the ocean in its many guises, an artistic practice that goes back in the West to the tone poems and symphonic sketches of classical composers from Beethoven to Debussy. After World War II, the orchestrations of what came to be known as exotica, a subset of lounge music, attempted to capture the enchanted South Seas…

Inventing Sci-Fi Noir: Jim Steranko’s ‘Outland’

When Heavy Metal published 1979’s stand-alone Alien: The Illustrated Story to coincide with the release of Ridley Scott’s now-canonical sci-fi horror, no one knew what a “graphic novel” was. The adaptation, with frequently gruesome art by Walt Simonson and words by Archie Goodwin, was strikingly innovative while remaining true to Dan O’Bannon’s screenplay, and it soon landed on the New York Times Best Seller list…