In late 1984 I encountered a film that would become, with the benefit of hindsight, the sine qua non experience of my 1980s sci-fi movie-going childhood. No, it wasn’t Dune or The Terminator or Ghostbusters, but a now little-remembered sequel to Stanley Kubrick and Arthur C. Clarke’s immortal cinematic classic 2001: A Space Odyssey…
By Ted Mills
It starts as it always does, with the sound of a cold, synthetic wind, whistling tones, and the nervous twitch of a Morse code signal. There’s a short intake of breath, a low om-like hum. A message needs to get through. And then our singer steps up to the mic…
Throughout the latter half of the 1970s, ex-seminarian/political activist Godfrey Reggio and cinematographer Ron Fricke shot, assembled, and edited film footage from all over the United States—from the yawning chasms of southwestern American deserts to the teeming mechanized metropolises of New York and Los Angeles…
I suppose I could go off on a rant here, as I usually do, about The Things We Have Lost, but I won’t. To quote the title of a Jacques Barzun book that I discovered (and subsequently bought) while browsing a bookstore, we get the culture we deserve…
In 1984, I knew with absolute certainty that my life was about to change. The arrival of a paradigm shift had been announced to me through the pages of Your Computer magazine, and the tawdry provincial realities around me were soon to disperse like fag smoke on the breeze, making way for an exciting new existence whose structure would be hewn out of glowing, chirping digital matter…
I first encountered Douglas Adams’ Hitchhiker’s Guide to the Galaxy book series in 1985. I’d caught glimpses of the tatty-yet-much-loved BBC television series from 1981 on my local PBS station, and that sent me to the bookstore to find out what the heck this British science fiction comedy was all about. Over the summer of 1985 I tore through the paperback versions of the first three volumes in the series…
Gentlemen, this is our third Christmas here at We Are the Mutants. 2018 has been particularly rough on all of us. Our “real” jobs have been punishing, we’ve lost loved ones, we’ve been sick as dogs, our significant others have been sick as dogs, one of my kids was in the hospital (she’s okay!), and Donald Trump is still the motherfucking President. But we’re still here…
As part of this year’s holiday “festivities,” my fellow US-based Mutants have mockingly given me a couple of the toy pages from a 1979 American catalog to look at in the hope of stimulating some idiosyncratic British take on the very different world of US toys, and possibly provoking a bit of retrospective seasonal gift envy. I can almost hear them now, chortling away mirthlessly in their La-Z-Boy recliners in their respective dens, or wherever the fuck it is that North Americans go to chortle. But they won’t break me; I’m made of sterner stuff…
“Unwrapping” the G.I. Joe U.S.S. Flagg aircraft carrier playset that Kelly put under the (virtual) tree for me this Christmas is a bittersweet reminder of childhood desires scuttled. I think, even at age 10, I knew that I’d never receive this giant (seven and a half foot long!) Nimitz-class aircraft carrier that retailed for $110 in 1985 (that’s over $250 in today’s dollars). But, ahem, I did actually end up getting the Cobra Terrordrome for Christmas ’86, which retailed at about half the cost…
So this week we’re each going to talk about a toy from Christmas past that one of the other guys has figuratively “gifted” us. I volunteered Richard to be my secret Santa because I expected a gift so quintessentially representative of the forlorn British ’70s of his youth that I could simply rag on him and his homeland for a few paragraphs…
