Brian Bennett’s career started in grand fashion; while barely out of his teens, he became the drummer for one of the UK’s biggest pop groups, Cliff Richard’s backing band, The Shadows, taking over from original drummer Tony Meehan. Bennett’s 1978 solo effort, Voyage (A Journey Into Discoid Funk), marked his first solo effort…
In our contemporary media landscape, where consumers are surrounded by full-to-bursting computer-generated imagery, the wondrous has become drearily everyday. The thousands of hours of artists’ labor and computer programming time involved in creating visual effects often vanishes in the face of overwrought spectacle…
The memories of the love I had for these… things as a kid has largely faded. The memories that matter today all have to do with people: the family that gave me love and supported my interests and hobbies, the friends with whom I played these toys and games, and the shared memories with all of you who’ve commented and written to us in response to our articles…
This issue of the Boston edition of TV Guide, released the week before Christmas 1987, presents a bunch of ads for Christmas television and Christmas gift ideas. Taken as a whole, the ads provide a window into Christmas traditions old and new at the end of the decade…
The vogue for illustrated mini-encyclopedias of world knowledge came into its own in the postwar period in the West. The spirit of New Frontier, space-age optimism led traditionally non-educational publishers into the educational field, usually by producing striking, lavishly-illustrated, glossy full-color gazetteers on particular areas of knowledge…
I first heard The Hurting in 1986. A girl in my high school—a girl I had a big crush on—taped it off her older brother’s LP and let me borrow it (older siblings were like our Spotify). She never got that tape back. I knew of Tears for Fears at the time—everybody did. Songs From the Big Chair had blown up in the US in the summer of 1985…
‘Til Tuesday formed in the early ’80s in Boston, from the same scene that had fostered post-punk legends Mission of Burma. Vocalist/bassist Aimee Mann had been in local punk outfit Young Snakes, and both Mann and ‘Til Tuesday drummer Robert Hausman had attended Boston’s prestigious Berklee College of Music…
The cinematic corpus of David Cronenberg is probably best known for its expertly uncanny use of body horror, but looming almost as large in the writer-director’s various universes is the presence of faceless, all-powerful organizations. Like his rough contemporary Thomas Pynchon and the conspiracies that litter Pynchon’s early works—V. (1963), The Crying of Lot 49 (1966), and Gravity’s Rainbow (1973)—Cronenberg’s shadowy organizations offer fodder for paranoid conspiracy…
Almost as soon as the television entered the American home, forever changing the course of the American family, it became a novel, uncanny presence. With the introduction of telegraphy in the mid-19th century, a new virtual world—an uncanny “otherspace” of instantaneous communication over long distances, utterly new to the human experience—was unleashed…
Political readings or interpretations of horror films are nothing new. But in Mark Steven’s 2017 study, Splatter Capital, an explicit connection is made between the bloody gore of what Steven terms “splatter” horror films and the dehumanizing, mutilative forces of global capitalism…
We Are the Mutants 