The sci-fi Supermarionation shows produced by Gerry Anderson’s AP Films/Century 21 Productions offer something for every generation, and contemporary celebrations of them focus on what made them popular in the first place: the painstaking and glorious depiction of futuristic, wildly imaginative mecha…
The elite is an amorphous clotted blob of parasitic greed and hate. Its tendrils extend with slimy stealth into every orifice of society—which makes its precise outlines difficult to see. Are the elite contemptuous coastal liberals and academics? Are they hedge fund managers and tech billionaires? Are they infiltrating globalists or capitalist pigs? Are they your bosses? Or are they your neighbors sneering at your MCU films and your fast food diet?
Presenting its array of multi-purpose household gadgets in a breathless, urgent style to fit into a half-minute or full-minute commercial slot, Ronco set the standard for the late-night direct mail sales pitch on television…
After Martin Scorsese burst onto the scene with the one-two social realist punch of 1973’s Mean Streets and 1974’s Alice Doesn’t Live Here Anymore, he produced an ode to the milieu from which he sprang, a briefer-than-feature-length trip to his parents’ walk-up apartment in Little Italy for Sunday macaroni and gravy…
Some people like MCU films; some people like Scorsese and Coppola films. I’m not really a fan of any of them. But what individuals may like or dislike isn’t really the issue in this discussion. The issue is what is considered to be quality, serious art, what is not, and why…
By K.E. Roberts
There is probably something more entertaining than William Shatner devouring scenery as an alcoholic, defrocked, nihilistic priest confronting evil druidic sorcery on a double-decker 747 alongside a cast of fellow C-listers, but I can’t think of it right now…
Like many folks my age, I first encountered crusading news photographer Carl Kolchak (played by the imminently charismatic and recognizable Darren McGavin) thanks to The X-Files creator Chris Carter’s repeated praise of the character as one of the biggest influences on his creation of Mulder and Scully…
The Halloween of my Northern English youth was more an informal folk festival than anything institutional, as a quick leaf through the TV schedules of the day will demonstrate: no pumpkins were deployed and you didn’t dress up; you just stayed indoors, turned the Herbert van Thal anthologies to the wall, and hoped to god no witches attacked…
By K.E. Roberts
Of all the mutually reinforcing influences that compelled the mainstream popularization and commercialization of the horror genre in the 1970s, the role of made-for-TV films gets short shrift. Quite simply, they reached millions more viewers (impressionable kids included) than theatrical releases…
By Audrey Fox
Another year of the Toronto International Film Festival has come to an end, and as usual it was packed full of films that will now be considered major Oscar contenders, if they weren’t already. Of course, some hotly anticipated movies took the opportunity to crash and burn on a global stage and were widely panned in early reviews…
