Deserts, Screens, and Empty Smiles: The Vast Wastelands of Jean Baudrillard’s ‘America’

By Michael Grasso

In the early 1980s, French philosopher, media theorist, and cultural scholar Jean Baudrillard visited the United States several times, taking in the vastness of the continent-spanning nation, from Manhattan to Manhattan Beach. In 1986, his account of these trips, America, was published in France. Two years later, the book came to the US in a translated edition. In the work, Baudrillard ruminates upon Mormons and breakdancers, fitness nuts and canned laughter on television, on all of the sources of beauty and horror of American culture and society in the 1980s…

“In London” by Vangelis and Neuronium, 1981

This atmospheric piece, which would later be given the name “In London,” was part of an improvisation session featuring Greek synthesizer musician Vangelis and Spanish electronic group Neuronium. Filmed in 1981 for Spanish TV program Musical Express as part of “Serie Amigos” (the “Friends Series”), the performance was recorded at Nemo, the London recording studio that Vangelis had established in 1975 and where he would continue to work until 1983…

Ocean Pacific Apparel Designs, 1979 – 1989

Ocean Pacific was founded in 1972 by Jim Jenks, a San Diego-based surfboard maker and former sportswear rep. He had developed the logo in 1969 for a surfboard line, but found much greater success with surfwear, OP’s corduroy “walkshorts” becoming an immediate hit with surfers and, in short order, men everywhere (the high-waisted style was popularized by Tom Selleck in Magnum, P.I.)…

Miniaturizing the Monster: Sid Sackson’s ‘Acquire’ and the Capitalist Board Game

By Ben Schwartz

Ultra-prolific board game designer Sid Sackson made his first game when he was six years old; he militarized Uncle Wiggily, a 1916 children’s game based on a series of children’s books. In it, players race from the titular rheumatic-yet-cheerful rabbit’s house to Dr. Possum’s office, for reasons not elaborated upon in any rulebook I can find. It’s cute, in a turn-of-the-century, butterscotchy kind of way—calming, quaint, woefully unbalanced, and entirely luck-based…