Boris Vallejo was at the height of his fame when he took on this commission for Chess King, an American retailer specializing in hip young men’s fashion, in 1986. Vallejo moved to the United States in 1964 from his native Peru to work in commercial art and pulp paperback covers in their ’60s and ’70s heyday, honing his skills painting the rippling thews of barbarian kings and the oiled curves of their female companions…
In 1972, artist Alex Grey began to realize a series of art installations/performances dealing with themes including death, transcendence, and transformation. As recession began to take hold and the Cold War intensified during the first years of the 1980s, Britain and the U.S. elected reactionary, hawkish leaders, fears of imminent nuclear war spread…
You could call this album a vanity project, a command-performance mixtape, a deeply personal tribute to lost youth—maybe even all three. It stands cloaked in darkness and mystery and captures a very special, even unique, time and place in musical history…
By Richard McKenna and K.E. Roberts
It must have been difficult to imagine, when art-punk band Wire’s guitarist and vocalist Colin Newman released his first solo record, that he could have much to add to the evocation of the strange tensions of contemporary life that Wire had elucidated over the course of their first three LPs: Pink Flag (1977), Chairs Missing (1978), and 154 (1979)…
“Worldbuilding” has become a trendy word to throw around when it comes to fictional universes. Franchises with the luxury to build their worlds over multiple motion pictures costing billions and billions of dollars fill the media landscape. In David Keenan’s debut novel, This Is Memorial Device, we enter a world with a much more humble, much more homely set of concerns, but with a universe no less studded with outsized personalities…
Released in 1981, the SDS-V was an electronic drum kit produced by British company Simmons, which was founded in 1978 by Dave Simmons and remained active until 1999. Though retaining a classic layout, the SDS-V’s glossy, hexagonal drums invoked a futuristic, scientific aesthetic that implied a rejection of the sweaty toil previously involved in percussion…
As the microchip revolution took root in the late 1960s, one of the most obvious uses for the new miniaturization was in the field of mathematics. Digital computers’ original tasks had, of course, been related to calculating much faster than deskbound human beings. The power of a once-massive digital computer transferred to a handheld device would allow for a revolution in calculation, allowing mathematicians of all stripes, from accountants to engineers, to free themselves from lengthy and difficult slide rule calculating…
In Lesson Four, we experienced a crash course in manipulating Atari computer memory, specifically to initialize and control Player/Missile Graphics, and we learned how to move our players across the playfield. With those powerful techniques under our belt, this lesson is action-packed! Not only will we cover joystick control, but also how to fire the mighty Fission Gun Tower…
In Avalon Hill’s Bureaucracy, players attempt to “simulate the bureaucratic behavior which constitutes so much of what we call government” and “[rise] up through the masses” to become Director, which amounts to marching around a Monopoly-style game board seeking promotion…
The explosion of interest in the paranormal throughout the ’60s and ’70s created opportunities for media-savvy purveyors of “phenomena” to parlay their notoriety into lucrative merchandising deals…
We Are the Mutants 