By K.E. Roberts
John Carpenter wrote the original script for Escape from New York (1981) in 1974, inspired by Death Wish, Michael Winner’s film from the same year—specifically its seedy portrayal of New York “as a kind of jungle.” Both Death Wish and Escape from New York did extremely well commercially and launched their respective genres, the citizen vigilante film and the dystopian actioner…
As a child, I spent a lot of time in the manageable, organized worlds that board games offered. Rules, a sense of order and fair play, and brightly-colored game pieces and boards appealed to me: they were a safe haven from the uncertainty of the outside world…
When someone chooses a computer to purchase today, they usually consider only what the computer can do based on available software. They’re thinking about what games they can play, what kinds of entertainment media they can enjoy, and how fast they can access the web. But in the 8-bit home computer boom of the late 1970s and early 1980s, choosing a new computer was based largely on what kind of software you wanted to create yourself…
This isn’t a movie review. For those poised at the inevitable crossroads of whether or not to watch 1984’s Ninja III: The Domination, plenty of helpful play-by-plays are out there…
I’ve only recently, at the beginning of my fifth decade of life, begun exploring the richness of 1950s ufology. As a child of the 1970s, my formative UFO matrix exists at the nexus of the uncanny/horrifying child-Greys toddling down the gangplank of the mothership in Close Encounters of the Third Kind (1977)…
With a reputation for intractability and a ubiquity afforded him by a decades-long involvement in the Italian equivalent of the pulps, Magnus (not to be confused with his robot-punching namesake) was, until his death in 1996, one of Italy’s most prolific and distinctive comic book artists…
By J.G. Newman
To say that the box office success of Star Wars in 1977 shifted Hollywood’s interest toward blockbuster genre fare is, to put it lightly, an understatement. Before the release of George Lucas’ space saga, realistic, Oscar-lauded films such as The Sting (1973) and The Godfather (1972) stood on nearly equal box office footing as more fantastical effects movies like Jaws (1975) and The Exorcist (1973)…
We Are the Mutants 