You Dropped a Bomb on Me: Jerry Ahern’s ‘The Survivalist’

By Richard McKenna

In the early 1980s, the spectrum of opinions regarding life after a nuclear exchange ranged from that held by the scientific establishment—at best a severely compromised environment, and at worst the extinction of the human race—to another, less pessimistic view that sensed an opportunity for a mankind neutered by the shackles of modern society to return to the more unambiguous, manly, uncompromised moral certainties of a simpler age…

“It’s Living That’s Treacherous”: Pop Culture Reflections of Jonestown

By Michael Grasso

American society collectively shuddered in November 1978 as news of the Jonestown cult mass death began to filter home from Guyana. Jim Jones, head of the Peoples Temple, commanded the death of over 900 of his followers, as well as the murder of a U.S. Congressman, four journalists, and a defecting Temple member, in a spasm of cult violence never seen before in the modern age…

When Punk Was Meant to Hurt You: Penelope Spheeris’ ‘The Decline of Western Civilization’

By K.E. Roberts

Early in Penelope Spheeris’ 1981 documentary on the Los Angeles punk scene, she asks Eugene, a 14-year-old skinhead who talks like a Valley kid, what he likes about punk. “It’s like, it’s not bullshit,” he responds. “There’s no rock stars now, you know?” It’s to the director’s credit that the next hour and a half, elapsing with the speed and eloquence of an autobahn car crash, both proves and refutes that answer…

How ‘The Gong Show’ Led Me to the Creepy Bleakness of 1970s Circuses

By Michael Grasso

The Circus Report, if this particular issue is indicative, was put together like an old-school zine: clip art, text laid out in a handful of different fonts, very clearly mocked up on a photocopier, and so forth. But these stories aren’t about the latest indie bands. They’re news articles about minor-league circuses in trouble for animal cruelty…