Of all the visual shorthand for a particular type of outmoded futurism, one of the most immediately recognizable—like the chrome lettering with which it is often paired—must be the light grid. Usually depicted as a network of glowing straight lines receding in perspective against a black background, occasionally with the outlines of mountains or the blush of dawn visible on the horizon…
By K.E. Roberts
The idea that alien astronauts visited the Earth at some point in primitive human history, endowing us with imagination and ingenuity—and possibly our genetic code—has become the cult religion of a hyper-materialistic Western world that consecrates nothing beyond its own egomaniacal gadgetry…
In Lesson Three, we learned about Atari’s revolutionary Player/Missile Graphics and spent some time designing Space Assault’s players (or sprites), including enemy ships and the crosshair of the Fission Gun Tower. Now it’s time to make our players move…
For people of a certain age, the synthesized tones of the ident above and the animation of the “P-head” logo of the Public Broadcasting Service is indelibly marked in our memories of childhood. We can recall the educational programming that PBS brought into our homes: stalwart institutions like Sesame Street and Mr. Rogers’ Neighborhood…
1982 was the year The Future began to supplant The Past. It began with Time magazine’s claim that “Video Games Are Blitzing the World,” and ended with the home computer being made the publication’s “Machine of the Year” (allegedly bringing Steve Jobs, who coveted the title, to tears)…
By Brother Bill
Anguish (1986) is an obscure and overlooked horror film from Spanish director Bigas Luna, a name perhaps better known for weird and erotic art-house dramas. Zelda Rubinstein (Poltergeist and Poltergeist II) stars as the overbearing mother of adult son John (Michael Lerner, Barton Fink) who still lives at home and under her thumb. Mother has a psychic connection with her slavish son and can communicate with him over long distances, a power she will use to direct him as her instrument of revenge…
By K.E. Roberts
Rosemary’s Baby, both Ira Levin’s 1967 bestseller and Roman Polanski’s meticulously faithful film adaptation of 1968, seeded the American consciousness with infernal terror at precisely the moment the country was supposed to be suffering its most desperate crisis of faith…
The 1983 film WarGames, directed by John Badham and written by Walter Parkes and Lawrence Lasker, was a box office smash and eventually became a generational touchstone, offering mainstream audiences their first glimpse at the computer technology that would ineluctably become part of their lives in the next decade and beyond…
By Brother Bill
A wave of dark, violent horror films arrived in the early-to-mid 2000s, all set in the present-day real world and centered on people caught up in deranged systems or subcultures. It seemed as though the lone psycho supermen of earlier decades (Hannibal Lecter, Max Cady, endlessly respawning Freddies, Michaels, and Jasons) were being supplanted…
“Brace yourself for an exciting, realistic sight and sound journey into another world…” Such was the promise emblazoned on the star-spangled blue packaging of the AudiSee titles, a series of “stereo dramatizations,” science-fiction audiobooks on cassette, each accompanied by a glossy, full-color illustrated booklet…
