Stuff has to happen when it has to happen, I suppose. Back in the summer of 2018, I’d pre-ordered a copy of James Cawthorn: The Man and His Art, but by the time it was released, the family health issues that had been increasingly dominating my life over previous years had consumed it completely…
“Album covers… defined you,” says Hipgnosis founder Aubrey “Po” Powell in his “Welcome to Hipgnosis” history in 2017’s Vinyl . Album . Cover . Art: The Complete Hipgnosis Catalogue, a 300 plus page full-color hardcover monster that reproduces the collective’s entire album cover output from 1967 to 1984…
Tom Brokaw popularized the term “The Greatest Generation” in 1998 to describe the Americans—and especially the American men—who survived the Depression and fought against Nazism in World War II. Brokaw saw this cohort in valedictory, heroic terms…
Visualizing a better world has never been more important, or more difficult. The promise of utopia—or at least a world that places its values on health, happiness, and lovingkindness—has been an object of pursuit for philosophers, theologians, and regular folks since the dawn of human civilization…
Sometimes it’s in ephemeral fragments of the culture that time travel lurks. We learn to tune out the looming monoliths of the zeitgeist the same way we learn to tune out the sky: its ubiquitousness would otherwise be oppressive…
By Eve Tushnet
Assign teenagers to different socioeconomic classes and require the lower classes to perform humiliating rituals of obeisance to the upper. Give other students the power to enforce class boundaries and punish those who get ideas above their station…
It’s practically impossible to imagine popular music in the year 2020 without taking into account the central role digital sampling now plays in making beats and reshaping melodies…
Gwyneth Jones’s new critical biography of Joanna Russ for the Modern Masters of Science Fiction series (called simply Joanna Russ) seems less like an academic reconsideration than a continuation of its subject’s oeuvre…
By Eve Tushnet
The standard story of the postwar media landscape centers on the rise of television: news anchors and variety shows, cowlicked children of white couples who sleep in separate beds, the same flickering glow from every home—Donna Reed across the face of the world forever…
By Eve Tushnet
“It is my dubious privilege to confirm the fact that man never invented anything that he didn’t eventually put to use.” That’s how Tomata du Plenty (played by the punk singer of the same name) describes the nuclear apocalypse that has left him the eponymous sole survivor in Dutch writer-director Rene Daalder’s 1986 film Population: 1, and in the scrawny, wiry actor’s voice there’s as much delectation as warning…
We Are the Mutants 