There are two Amityville horrors: the first happened in the pre-dawn hours of November 13, 1974, when 23-year-old Ronald Defeo Jr. shot and killed his father, mother, two brothers, and two sisters while they slept. He confessed to the murders the following day, and during the trial told the court that “voices” told him to do it. The second happened when a young couple, George and Kathleen Lutz, moved into the former Defeo residence…
By The Mutants
As the end of the 1970s approached, it was becoming increasingly obvious that the space-age fantasies the West had been nurturing for twenty years led nowhere real, or at least nowhere permanent, and that terrestrials were seeking some kind of emotional repository for the dreams they had been dreaming, as well as a pressure valve for their multiplying tensions…
The first issue of Atomic War! tells the story of a future America—the year is 1960—in which the embarrassingly gullible U.S. government and the bumbling United Nations are bamboozled by the “smiling conciliation” of the Russians and their seemingly “enthusiastic efforts for peace…”
Christmas cards became ubiquitous in the post-war era, when millions of Americans retreated to a more secluded existence in the rapidly developing suburbs. As small towns—idealized by Frank Capra and Norman Rockwell, among others—started to be displaced by tract housing complexes and chain stores, embellished scenes of the vanishing idyllic communities became a standard trope on greeting cards…
Avalon Hill, known for historical wargames like Blitzkrieg (1965) and PanzerBlitz (1970) at this point, released the Witchcraft Ritual Kit and Black Magic Ritual Kit on the heels of The Exorcist, the occult blockbuster that saw demon “Captain Howdy” enter the material world (and eventually a 12-year-old girl) via a Parker Brothers Oija Board…
By K.E. Roberts
London’s Ultravox was John Foxx’s band for three increasingly brilliant albums. Their debut, 1977’s Ultravox!, is an uneven but essential distillation of Roxy Music, art-rock-era Brian Eno (who produced, along with Steve Lillywhite), prog, minimalist electronica, and dub. The same year’s Ha!-Ha!-Ha!, on the other hand—a mere eight months separated the albums—is a focused and unsparing gnashing of teeth…
By K.E. Roberts
Rock and roll was maligned as an “unholy pleasure” almost from the get-go, just as dancing was decried as the “Heritage of Hell” centuries before. After John Lennon declared the Beatles “more popular than Jesus” in 1966, Christian fundamentalists immediately condemned all music that “aroused the lower instincts,” and the smear campaign would last for more than a quarter-century…
If you have small kids, wear something nondescript, take them out, and let them soak up whatever thrills are left. If you don’t have small kids, stay home and read a motherfucking book. And no, Harry Potter doesn’t count…
Although the slasher film developed out of Italian giallo films, particularly the work of Mario Bava, the genre began with Alfred Hitchcock’s Psycho (1960), which was extremely controversial at the time for its graphic violence, sexuality, and the final act’s depiction of a cross-dressing Norman Bates…
When John Lennon told British journalist Maureen Cleave in March of 1966 that the Beatles were “more popular than Jesus now,” and that “Christianity… will vanish and shrink,” there was no controversy apart from a handful of letters sent in to the paper that ran the story, the London Evening Standard…
We Are the Mutants 