Michael Doret, a Brooklyn, New York-born illustrator and graphic designer, started working professionally in the early 1970s, and is responsible for several iconic images, including a series of Time magazine covers…
By Brother Bill
This timeline attempts to chronicle key events from the original Land of the Lost series, which ran for three seasons from 1974-1976. Key events include the introduction of a new character or location, any traveling through time and/or space via time doorways or other paranormal means, events that altered the geography or climate of the Land of the Lost itself…
By Brother Bill
Three hominid creatures, possibly mankind’s evolutionary ancestors, creep through the brush in a primeval forest, drawn by an otherworldly sound. They come upon an obelisk standing in a clearing, its symmetrical perfection defying nature. They are awestruck. They want to touch the smooth surface but are afraid…
By K.E. Roberts
John Carpenter wrote the original script for Escape from New York (1981) in 1974, inspired by Death Wish, Michael Winner’s film from the same year—specifically its seedy portrayal of New York “as a kind of jungle.” Both Death Wish and Escape from New York did extremely well commercially and launched their respective genres, the citizen vigilante film and the dystopian actioner…
This isn’t a movie review. For those poised at the inevitable crossroads of whether or not to watch 1984’s Ninja III: The Domination, plenty of helpful play-by-plays are out there…
By J.G. Newman
To say that the box office success of Star Wars in 1977 shifted Hollywood’s interest toward blockbuster genre fare is, to put it lightly, an understatement. Before the release of George Lucas’ space saga, realistic, Oscar-lauded films such as The Sting (1973) and The Godfather (1972) stood on nearly equal box office footing as more fantastical effects movies like Jaws (1975) and The Exorcist (1973)…
We Are the Mutants 