Ionicus—the pen name of prolific British illustrator Joshua Charles Armitage—is probably best known for his cover illustrations for Penguin Books’ P. G. Wodehouse reissues and magazine The Dalesman, as well as the many cartoons he contributed to Punch magazine. But it is his work for London publishing house William Kimber & Co that may best represent his legacy…
By Richard McKenna and K.E. Roberts
Before we start on this episode’s Progs, let’s talk about, in my mind, the definitive Dredd illustrator—inarguably a definitive comics illustrator—Carlos Ezquerra, who passed away this week at the age of 70…
Berkeley Bonaparte was a Bay Area poster art company founded in 1967 by illustrators Rick Griffin, Alton Kelley, Victor Moscoso, Stanley Mouse, and Wes Wilson. The “Big Five,” as they came to be known, had developed a following designing posters to advertise local rock concerts, promoted by Bill Graham, at the Fillmore Auditorium and Avalon Ballroom…
Though sometimes dismissed as a disappointing compromise between the two phases of Chrome’s musical output—the delirious, expressionist SF punk cut-ups of Alien Soundtracks (1977) and Half Machine Lip Moves (1979) and the more “traditional” LPs that followed, like Blood on the Moon (1981) and 3rd From the Sun (1982)—Chrome’s fourth LP, 1980’s Red Exposure, could scarcely sound more uncompromising…
Legend of 20th century science fiction Nigel Kneale (1922-2006) would likely bristle to be described as such. Andy Murray’s terrific biography, Into the Unknown: The Fantastic Life of Nigel Kneale, readily conveys Kneale’s sometime ambivalence at being pigeonholed as a genre writer. But the full parade of Kneale’s fascinating life gives perspective to the inseparability of the mundane and the fantastic…
The final episode of a dark sci-fi tale by Łukasz Kowalczuk and Maciej Czapiewski…
Artist, activist, and philanthropist Keith Haring produced most of his “flying saucer” drawings well before his work became an international pop culture touchstone. In the summer of 1980, Haring was at a crossroads, and his life and art, he said, “went totally berserk”…
Devoted to investigating the paranormal and the supernatural, the debut issue of Mexican weekly magazine Duda—“doubt” or “question”—was released in March 1971. It would prove to be a popular and influential publication, and a surprisingly long-lived success for its Mexico City publisher Editorial Posada…
I’m finding it oddly difficult to write about UFOs Are Real, a low-budget UFO documentary from 1979. Not because there’s not a lot to say about it, but instead, thanks to the outsized role it played in my formative years, there’s ultimately far too much…
Episode nine of a dark sci-fi tale by Łukasz Kowalczuk and Maciej Czapiewski. Ultra Minion runs every Friday at We Are the Mutants…
We Are the Mutants 