Set in a world called “the Unifactor,” Jim Woodring’s wordless Frank recounts the adventures of the title character—a gormless-looking, anthropomorphic, rabbit-like creature with a nature by turns passive and perverse—and his interactions with the Unifactor’s other inhabitants and the world’s beautiful and frightening flora and fauna, given to unpredictable reactions and behaviors…
Episode one of a post-apocalyptic comic thriller by writer-illustrator Łukasz Kowalczuk. Radioactive Cross runs every Friday at We Are the Mutants…
By K.E. Roberts
Serious study of pulp novels—inexpensive paperbacks churned out by the millions from the 1950s through the 1970s—is a relatively recent development. The novel itself, even the enduring classics studied in universities today, was derided as idle and debauched until the beginning of the 20th century…
Safari Cards were an English translation of a set of collectible zoological information facts first devised and published in Switzerland. Original publisher Éditions Rencontre in Lausanne, Switzerland specialized in subscription encyclopedias and other educational toys in the 1950s and ’60s. Intended explicitly from the very beginning to democratize learning and bring the classics of French-language literature to the public…
The Fontana Modern Masters series was conceived in the late 1960s at Scottish publishers William Collins & Company’s Fontana imprint. Fontana Books had spent its first decade publishing inexpensive paperback pulp and detective fiction, priced between two and three shillings. But, in May 1968, revolutionary theory and Situationist praxis caught fire in the streets of Paris, as students plastered walls and barricades with catchy slogans meant to détourne the mainstream postwar advertising culture around which they’d grown up…
From a merger of its 1961 acquisitions—British publishers Ace Books Ltd. and Four Square Books Ltd—the American Times Mirror Company created the New English Library (NEL) as a sister company to the New American Library. While the latter retained some of the cultural prestige of its original owner, Penguin Books, the NEL was under no such constraints of perceived quality: the publisher was therefore free to specialize in paperback genre fiction…
By Richard McKenna and K.E. Roberts
I guess we should begin at the beginning. I first got into Judge Dredd and 2000 AD in 1983, when Eagle Comics (founded by Nick Landau) started anthologizing the strip for an American audience. The Eagle editions were in color (I had no idea the original 2000 AD was black and white for many years), and the Dredd comics came with new, mind-bending covers by Brian Bolland. I had been collecting comics pretty obsessively for a few years at that point, but had never seen anything like Dredd…
The most famous and prominent fictional man-machine hybrid in 1970s pop culture was Colonel Steve Austin, as portrayed by Lee Majors in the television series The Six Million Dollar Man. Over the course of three television movies (all airing in 1973) and five seasons (1974-1978), Austin introduced the idea of a human “cybernetic organism” (cyborg) to the wider American public…
The first issue of Atomic War! tells the story of a future America—the year is 1960—in which the embarrassingly gullible U.S. government and the bumbling United Nations are bamboozled by the “smiling conciliation” of the Russians and their seemingly “enthusiastic efforts for peace…”
British-born illustrator David Macaulay is best-known for books like Castle and City, where he used his talent for detailed black and white pen and ink drawings to lay bare the mechanics and architecture of his subjects, revealing their inner workings…
We Are the Mutants 