Earlier HBO idents had been relatively simple affairs, the kind of simply animated and crudely soundtracked bumpers you might see on your local UHF station’s movie revue. But this bumper—known here as “HBO Theater,” although it would eventually be titled “HBO Feature Presentation” when broadcast in 1983—combined live actors, models, motion control cameras, animation, and a full orchestra soundtrack….
A rendering of the future in the form of a short stretch of corrugated steel, this neon tunnel that once greeted visitors to the foyer of 127 John Street in New York City feels innately familiar, even archetypal…
At the beginning of the 1970s, a sense that techno-industrial man’s ongoing destruction of the environment would ultimately lead to global doom was widespread in the West. Married to these concerns was a parallel worry about the exponential impact of a population explosion due to these same 20th-century agricultural, medical, and scientific advancements…
How a Baby Is Made was the English language translation of Danish psychotherapist and “sexologist” Per Holm Knudsen’s children’s picture book Sådan får man et barn, published in Denmark in 1971. After winning the Danish Ministry of Culture’s children book prize in 1972, the rights were acquired in Britain where Piccolo Books, the children’s division of paperback publisher Pan, published it the following year…
By Eve Tushnet
“It is my dubious privilege to confirm the fact that man never invented anything that he didn’t eventually put to use.” That’s how Tomata du Plenty (played by the punk singer of the same name) describes the nuclear apocalypse that has left him the eponymous sole survivor in Dutch writer-director Rene Daalder’s 1986 film Population: 1, and in the scrawny, wiry actor’s voice there’s as much delectation as warning…
Over the course of my many explorations of British hauntology of the 1970s over the past five years, I found myself enjoying a pair of television adaptations, produced a decade apart, full of deep mystical themes reaching back into the marrow of ancient Britain…
By Ben Schwartz
The hectic, global nightmare of early 2020 seems like a good time to reappraise our perception of Disney, an increasingly powerful demigod in the media-saturated hellscape we live in. Outlets and organs of multiple disciplines have put out breathless articles about the conglomerate’s “unprecedented” success last year…
The sci-fi Supermarionation shows produced by Gerry Anderson’s AP Films/Century 21 Productions offer something for every generation, and contemporary celebrations of them focus on what made them popular in the first place: the painstaking and glorious depiction of futuristic, wildly imaginative mecha…
n the mid-1970s, the National Aeronautics and Space Administration was in a period of transition. The final manned Apollo mission to the Moon, Apollo 17, had returned to Earth in December 1972; no further Moon landings were planned. NASA had recently kicked off their Skylab experiments in short-term orbital space station living (and détente-inspired collaboration with the Soviets), as well as announcing a reusable fleet of Space Shuttles…
By K.E. Roberts
You’ve seen the images before: interiors of massive cylindrical and spherical space habitats, where posh-looking off-world colonists attend catered cocktail parties and sip coffee on their (seemingly) tilted verandas; where space-suited construction workers navigate through zero-g miles above an immaculate suburbia, complete with backyard swimming pools…
We Are the Mutants 