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Tag Archives: Features

Fiddle This: Yorkshire TV’s ‘Sounds Good’, 1985

By Richard McKenna

Occasionally an artifact pops up that is such a perfect exemplar of the tropes we associate with a given historical period that it’s hard to believe it is real and not a bit of uncanny simulation designed to fuck with your brain. We’ve spoken about the phenomenon before, and Sounds Good is yet another such curio…

September 25, 2019 in Film & TV.

Yours Apefully: The ‘Planet of the Apes’ Live Arena Show

By Richard McKenna

By the summer of 1976, I was a child steeped in animal terror. Well, steeped in loads of types of terror, really, seeing as I lived in mortal fear of UFOs, bigfoot, ghosts with tricorn hats, the Wirrn, Teddy Boys, the witches that lived near my nana’s house, fire, escalators…

September 12, 2019 in Film & TV.

Lost in the Time Vortex: The American Cult of ‘Doctor Who’

By Michael Grasso

Sitting here in 2019, I can confidently tell you where I was at 7pm on most weeknights between the years 1981 and 1986. I was sat in front of our living room TV, watching the adventures of the Doctor on my local PBS station…

September 11, 2019 in Film & TV.

“An Infinite Capacity for Suspicion”: The BBC’s ‘Tinker Tailor Soldier Spy’ Turns 40

By Joseph Oldham

Broadcast on the evening of September 10, 1979, 40 years ago today, this was the British public’s introduction to the BBC adaptation of John le Carré’s Tinker Tailor Soldier Spy. It was unlike any TV spy drama seen before…

September 10, 2019 in Film & TV.

“Don’t Trust Civilization”: ‘Soldier of Fortune’ Magazine and the Masculine Myth

More than perhaps any other example from the time, Soldier of Fortune is symptomatic of a white masculinity crisis that has poisoned the bloodstream of America—a wound untreated leads to sepsis—for almost 50 years…

August 30, 2019 in Books & Literature.

“The Horror Never Leaves My Mind”: Ian Sharp’s ‘Who Dares Wins’

By Andrew Nette

When things look bad—and globally, they look pretty bad at the moment—I take a strange consolation from the fact that this is not the first time in recent history that the end of the world has been seriously discussed. In 1982, when I was living in suburban Melbourne, a couple of years off finishing school, it was pretty much all I thought about…

August 27, 2019 in Film & TV.

Blood on the (40) Tracks: The Residents’ ‘Commercial Album’, Reexamined

By Ted Mills

Hardy Fox passed away in October of 2018 and, as he was nearing the end of his life, he let it be known to fans what they had secretly suspected for years: that he had been the main composer for the avant-garde band The Residents…

August 20, 2019 in Music & Sound.

The Varieties of Psychonautic Experience: Erik Davis’s ‘High Weirdness’

By Michael Grasso

In the spirit of High Weirdness, this review will try to weave an impressionistic, magical spell exploring the commonalities Davis unveils between the respective life’s work and esoteric, drug-aided explorations of Terence McKenna, Robert Anton Wilson, and Philip K. Dick…

August 13, 2019 in Books & Literature.

The Posthuman Heart of ‘Captain Scarlet and the Mysterons’

By Fred McNamara

Captain Scarlet and the Mysterons (1967-1968), the sixth television series produced by AP Films/Century 21 to be filmed in “Supermarionation,” is a blitzkrieg of old school science fiction action that touches upon moral and psychological ambiguity within the explosive, action-driven framework that was second nature to the production team at this point…

August 6, 2019 in Film & TV.

Cold War Interrupted: The Promise of ‘2010: The Year We Make Contact’

By Michael Grasso

In late 1984 I encountered a film that would become, with the benefit of hindsight, the sine qua non experience of my 1980s sci-fi movie-going childhood. No, it wasn’t Dune or The Terminator or Ghostbusters, but a now little-remembered sequel to Stanley Kubrick and Arthur C. Clarke’s immortal cinematic classic 2001: A Space Odyssey…

August 1, 2019 in Film & TV.

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