When Heavy Metal published 1979’s stand-alone Alien: The Illustrated Story to coincide with the release of Ridley Scott’s now-canonical sci-fi horror, no one knew what a “graphic novel” was. The adaptation, with frequently gruesome art by Walt Simonson and words by Archie Goodwin, was strikingly innovative while remaining true to Dan O’Bannon’s screenplay, and it soon landed on the New York Times Best Seller list…
Today we spotlight the work of Pancho Domínguez, a visual artist from Monterrey, Mexico…
By K.E. Roberts
During the 1970s, original, feature-length scares could be found on TV almost every night of the week. They were cheap to make and, after Rosemary’s Baby and The Exorcist, we were trembling and defenseless. The best known of these quickie horrors, many of which dealt enduring trauma to a generation of children often home alone…
Although the extraordinary theatrical poster for Disney’s Something Wicked This Way Comes was illustrated by David Grove, Bob Peak painted these equally impressive pieces that, as far as I know, were never used. Peak, of course, was one of the finest commercial illustrators of the 20th century, and he virtually defined the visual concept of the modern film poster, starting with his colorful montage for 1961’s West Side Story…
Berkeley Bonaparte was a Bay Area poster art company founded in 1967 by illustrators Rick Griffin, Alton Kelley, Victor Moscoso, Stanley Mouse, and Wes Wilson. The “Big Five,” as they came to be known, had developed a following designing posters to advertise local rock concerts, promoted by Bill Graham, at the Fillmore Auditorium and Avalon Ballroom…
The final episode of a dark sci-fi tale by Łukasz Kowalczuk and Maciej Czapiewski…
Artist, activist, and philanthropist Keith Haring produced most of his “flying saucer” drawings well before his work became an international pop culture touchstone. In the summer of 1980, Haring was at a crossroads, and his life and art, he said, “went totally berserk”…
Episode nine of a dark sci-fi tale by Łukasz Kowalczuk and Maciej Czapiewski. Ultra Minion runs every Friday at We Are the Mutants…
La Longue Marche (The Long March) was completed in 1974, two years after Le Parc refused a retrospective at the Museum of Modern Art in Paris (according to legend, the decision was based on a coin toss). The work consists of 10 separate but integrated panels featuring interweaving braids of vibrant prismatic color, and stretches to more than 65 feet in length…
Episode eight of a dark sci-fi tale by Łukasz Kowalczuk and Maciej Czapiewski. Ultra Minion runs every Friday at We Are the Mutants…
